The timeless mid-1800s story of four sisters’ journey into womanhood, Little Women, has been brought to life with extraordinary charm on the Whakatāne Little Theatre stage.

This new adaptation, featuring a talented young cast, opened to a full house on Friday night, captivating the audience with its heartfelt performances. The show runs until August 17, and it’s not to be missed.

For those unfamiliar with Louisa May Alcott's beloved novel, Little Women tells the heartwarming and poignant story of the March sisters – Jo, Meg, Amy, and Beth – and their mother, Marmee, as they navigate love, loss, and self-discovery during the American Civil War.

This adaptation, featuring students from the Stage Door Performing Arts Academy aged 13 to 18, is directed by Trace Tidd with musical direction by Adele Dixon.

Despite the cast's youth, their performance is nothing short of outstanding. From the vibrant opening scene to the final curtain, the acting, singing, choreography, set design, costumes, lighting, and music are all executed with exceptional skill. It’s one of the most enjoyable productions I've seen on our stage.

Maia Patterson-Foster shines as Jo March, capturing the essence of a feisty, independent, and determined young woman striving to carve out her place in the literary world. Jo’s internal struggle between pursuing her dreams and conforming to societal expectations is conveyed with authenticity and passion. Her acting is as good as her singing.

One of the standout performances comes from Taylah Wylie as Aunt March. With her sharp wit and biting lines, Aunt March provides some of the show’s most memorable moments. The duet Could You?, featuring Jo and Aunt March, is particularly delightful:

“You could never bend your will; you could never follow through.
You could never bite your tongue, though your tongue may split in two.
If you want to live your dreams, these are things you have to do!
How could you change? You can't. Not you,” Aunt March admonishes Jo.

Patterson-Foster’s rendition of Astonishing as the first act closes is a highlight, showcasing her vocal prowess and emotional depth in this challenging number.

Equally compelling is Olivia Sandbrook’s portrayal of Marmee, the girls’ mother, whose performance of Here Alone is touching and powerful.

The other March sisters deliver convincing performances: Emilie Rosset is captivating as the elegant Meg, who sacrifices wealth for love; Ruby Gibbs brings a gentle warmth to the role of Beth; and Merryn Boyd skillfully portrays Amy’s transformation from a pouty, petulant child into a mature young woman.

The male characters, too, leave a lasting impression. Kael Mitchley is charming and hilarious as Laurie, the wealthy young neighbor who is friend and suitor. Nate Parsons plays his uncle, Mr Laurence, with a gruff exterior that softens as he grows fond of the March family. Jachin Galbraith’s portrayal of the sweet and awkward Professor Bhaer, alongside James McKay as the kind-hearted tutor who wins Meg’s heart, rounds out the cast beautifully.

The set design is intricate and evocative, with smooth transitions between scenes that keep the story flowing seamlessly. The lighting expertly enhances the mood,

Overall, this production of Little Women is delightful and heartwarming, presented with an impressive level of professionalism.

Kudos to everyone at Stage Door Performing Arts Academy for creating such an enjoyable and high-quality show. Make sure to catch one of the remaining performances tonight, tomorrow, or next weekend. You won’t be disappointed.

What: Little Women, the Musical

Where: Whakatāne Little Theatre

When: August 10-11, 16-17

Tickets: $20-$30, through Trybooking: https://tinyurl.com/stagedoor-little-women